After 25 days on the road across the Iberian Peninsula, I have ideas about what I’m looking for in terms of travel photography tech. The Canon SLR with a bag of lenses is too much to lug around, and the recycled 7 year old Dell laptop doesn’t cut it when it comes to keeping up with modern file sizes. An agile photo tech set also works on two wheels, so here’s what I’d bring along if I were going light but looking for full technical flexiblity in terms of imaging while on the road:
An absolutely bonkers sub 2.5lb laptop with 2k of colour corrected display with 100% colour gamut. It folds away to almost nothing, offers the power needed to make high resolution photo and video edits on the road and even converts to a tablet for digital sketching.
After lugging the SLR with many lenses around Iberia for weeks on end, I’m looking for a more compact but technically robust option. The Cybershot has a massive sensor, shoots in RAW and outperforms my SLR in pretty much every area. Being smaller and less fussy (just the one do-it-all lens), it does what the best camera always does: makes it easy to have it with you. I ended up leaving the SLR behind towards the end because it was more trouble than it was worth
Simply the highest photo quality 360 camera you can get. A massive 1 inch sensor means good low light, RAW shooting, a programmable Android based OS that lets you push the limits of this emerging format by creating my own plugins.
I prefer photography to video so the Z1 is the weapon of choice when it comes to 360 photography. The only thing it can’t do is rough and tumble, but I have a plan for that.
The rough and tumble option. If I’m riding, in the rain or under water, the Max will do the job and capture the moment. It also handles instant panaramas and many video options, including timelapse.
I prefer the ergonomics of the Theta, but the GoPro is the best at what it does, and for action shots it would be a powerful tool.
I got an iPhone 13 last year and the camera on it is good – so good that I found myself leaving the DSLR behind because, for candid snaps, the iPhone is more than up to the job. As good as it is, I’m wishing I’d gone a bit further and gotten a 14 pro with extra lens and that bit more photographic range. I’m still struggling with adapting to iOS after owning an Android from the very beginning, but I’d stick it out for the software integration and quality on the iPhone (Apple’s stance on user privacy is appealing too).
This might all seem pretty expensive (photography isn’t a cheap hobby), but when a single pro 400mm lens costs you about ten grand, this entire $7665 set offers much more flexibility with a powerful all-in-one camera, two 360 specialist imaging tools and a state of the art lightweight laptop for post production, and all while taking up next to no room.
|I did alright with the old DSLR (these are wild Portuguese seas), but lugging all that about wasn’t very travel friendly – I think I’m ready to migrate back to a prosumer grade all-in-one superzoom camera. I just need to make sure it beats the SLR with lense and includes the specs I need to improve my imaging (large sensor, full manual controls, RAW file saving, epic lens).
|I’m pretty crafty with on-bike pics from the old Ricoh Theta I’ve got, but with newer (and tougher) tech I could push the boundaries there too.
|Good example of how capable the iPhone is at photos (and a nice way to get to the beach – on a 90s vintage Africa Twin!). This is cropped in tight from the original and is still high-rez.
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